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"... she possesses a totally mature virtuosity and a phenomenal intensity of expression and balance." (Frankfurter Allgemeine Zeitung about her performance of the Beethoven Violin Concerto)

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12 May 2012
13 May 2012
06:00 p.m.
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Wroclaw (Breslau) Polans, - Sala Filharmonii
K.A. Hartmann: Concerto Funèbre
Tanja Becker-Bender (violin)
Leopoldinum Chamber Orchestra Wroclaw
Conductor: Günter Pichler
www.Leopoldinum.art.pl
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18+19 May 2012
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Fayetteville Chamber Music Festival, Texas, USA
Chamber Music by
Schubert, Schumann, Khatchaturian,
Paganini, Mozart, Hindemith etc.
Tanja Becker-Bender (violin)
Peter Nagy (piano)
Hâkan Rosengren (clarinet) and others
www.fayettevillemusic.org/schedule.html
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January 2012 CD - release
Max Reger (1873-1916) :
Violin Concerto A major, op. 101
1st movement: Allegro moderato
2nd movement: Largo con gran expressione
3rd movement: Allegro moderato (ma con spirito)
Two Romances, op. 50
No. 1: G major (Andante sostenuto)
No. 2: D major (Larghetto)
Tanja Becker-Bender, violin
Konzerthausorchester Berlin
Lothar Zagrosek, conductor
Label: Hyperion Records, London
http://www.hyperion-records.co.uk/
“Outstanding” Award by the International Record Review (IRR), USA, February 2012
"... it's remarkably beautiful, and Tanja Becker-Bender does some wonderful things with it, shaping its lines with great lyrical force and a tremendous sense of drama. There's strong playing from the Konzerthausorchester Berlin under Lothar Zagrosek, too. .."
-- Tim Ashley, The Guardian
http://www.guardian.co.uk/music/2012/
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February 2011 CD - release Erwin Schulhoff: Works for Violin and Piano
Tanja Becker-Bender, violin Markus Becker, piano
Label: Hyperion Records, London
http://www.hyperion-records.co.uk/
Personal reflections by Tanja Becker-Bender on the Schulhoff recording
| Cover: Paul Klee "The Broken Key" (1938)
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"The German violinist Tanja Becker-Bender burst onto the recording scene with a dazzling set of Paganini’s Caprices which thrilled the critics. She appears here in a second disc for Hyperion with her compatriot, Markus Becker, who has made two acclaimed recordings for the label."
The CD has been selected "Disc of the Month March 2011" by the "BBC Music Magazine":
http://www.classical-music.com/music-choice/march-2011/disc-month
'Tanja Becker-Bender offers absolutely stunning playing throughout this warmly recorded disc'
Eric Levi
Presentation of the CD by the “Deutsche Stiftung Musikleben” (German Foundation of Musical Life) (01 Feb 2011)
First CD review in „Die Presse“ Vienna, Schaufenster (show window) - Sinkothek: ”Disc of the week” (03 Feb 2011)
CD review in the nmz (New Music Journal) 2011/02
CD review Bavarian Broadcast (Bayerischer Rundfunk), BR Classics, CD Tipps
"CD of the Month" in blog.codaex.de
ArkivMusic.com: "Can only be described in superlatives."
Presto Classical: Summery of several reviews from The Guardian, Gramophone Magazine, Classic FM Magazine etc.
MusicWeb International
Klara - Flemish Radio and Television Broadcast Brussels
Gavin Plumley: entartetemusik.blogspot.com
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Release of a CD with Tanja Becker-Bender
Nicolò Paganini: 24 Capricen fot Solo Violin
Label: Hyperion Records London
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http://www.hyperion-records.co.uk/al.asp?al=CDA67763
Klicken auf das Notensymbol bei diesem Link aktiviert Hörproben.
http://www.hyperion-records.co.uk/a.asp?a=1917
http://www.hyperion-records.co.uk/ym.asp?ym=2009_03
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Personal reflections by Tanja Becker-Bender on her Paganini recording
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BBC Music Review, 2009-03-27
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First review of the CD at Berlin Brandenburg Radio Station (rbb) from March 2009
MP3-format (file 4.15 MB): German text and music
English translation of the review
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CD-review in Deutschlandfunk - "Die neue Platte" ("The new CD"), 13 April 2009
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Review Gramophone May 2009: "Caprices of sparkling clarity - Paganini would have been impressed and delighted" Editor's Choice - best recordings of the month
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Review from Classic FM Magazine: "Playing with fire"
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Süddeutsche Zeitung, 3. Juni 2009, "Hochseiltanz Tanja Becker-Bender imponiert mit Paganinis Capricci"
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CD Besprechung in FONO FORUM, Juli 2009, "Gewagt, gewonnen"
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Frankfurter Allgemeine Zeitung, 27. Juni 2009, "Spielt wie Paganini"
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Magazin.Klassik.Com, 2. Dezember 2009, "Mustergültige Paganini-Capricen"
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Das Orchester, Januar 2010, Rezension: "24 Caprices for Solo Violin"
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Tanja Becker-Bender held a professor's chair in violin at the University of Music Saar in Saarbrücken since 2006.
In 2009, she received an offer of a professor's chair in violin at the University of Music and Theater Hamburg and a further offer of a chair in violin at the University of Music and Performing Arts in Vienna. She
accepted the offer of a chair in violin at the University of Music and Theater Hamburg from winter semester 2009/2010 on.
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Born into a family of scientists and musicians of Bohemian origin, educated in Stuttgart, London, Vienna and New York, Tanja Becker-Bender (*1978) has developed into a very impressive and internationally highly acclaimed personality among young violinists. Since her debut at the Salzburger Schlosskonzerte at the age of eleven, she performed on the stages of the Philharmonie and Konzerthaus Berlin, Philharmonie Cologne, Alte Oper Frankfurt, Gewandhaus Leipzig, Herkulessaal Munich, Musikverein and Konzerthaus Vienna, Vigado Budapest, Victoria Hall Geneva, Palais des Beaux Arts Brussels, Henry Crown Hall Jerusalem, Suntory Hall and Bunkamura Orchard Hall Tokyo, Teatro Gran Rex Buenos Aires, Kennedy Center Washington, Alice Tully Hall of Lincoln Center and Weill Recital Hall (Carnegie) in New York, to name but a few.
With her debut performance at the Chautauqua Festival (NY, USA) in 1997, she won over the audience as well as critics with a moving interpretation of Johannes Brahms' Violin Concerto, what earned her new invitations and performances of the Violin Concertos by Beethoven and Elgar at the same festival, as well as several further engagements with American orchestras.
The Bunkamura Orchard Hall Award 2000 brought her to Japan for the first time, where she performed the Beethoven Violin Concerto with the Tokyo Philharmonic Orchestra. In 2003, she repeated her great success in Tokyo performing the Dvorák and Korngold Violin Concertos at Suntory Hall and at Metropolitan Art Center together with the Yomiuri Nippon Symphony Orchestra under the baton of Gerd Albrecht. On invitation of the Mozarteum Argentino Buenos Aires, she went to South America as soloist in concerts with orchestra and in recitals for several times, and she performed to great acclaim by both critics and audiences in Buenos Aires and in Montevideo. One of the most recent highlights of her career was the appearance at the Schleswig-Holstein Music Festival with Kurt Masur as conductor. A short-notice engagement by the Mozarteum Orchestra Salzburg for a concert tour in Spain under the baton of Hubert Soudant drew the attention of the representatives to her and made her name well-known in this country, too. Still before graduating from The Juilliard School in New York, she distinguished herself as an interpreter of classical modern music, performing the violin concertos by Igor Stravinsky, Philip Glass, Kurt Weill (Cincinnati, USA), Bela Bartók (Houston, USA).
Her recitals with multi-faceted programs at the Schwetzinger Festspiele, the European Music Festival of the International Bach Academy, the Beethovenfest Bonn, the Musikverein Vienna, the International Kronberg Academy, and at the Dresdner Musikfestspiele together with pianist Oliver Kern were highlights of chamber music. Outside Europe, she gave her debut concert in Washington D.C. with a chamber music recital at Kennedy Center for Performing Arts, recorded for the National Public Radio and broadcast live over the internet. In 2000, the anniversary of J.S. Bach, Tanja Becker-Bender performed the complete cycle of his Solo Sonatas and Partitas several times in Stuttgart and in Vienna. Subsequently, she also played the ten violin sonatas by Beethoven in New York, in short order.
At the Bad Homburg Chamber Music Festival 2006, Tanja Becker-Bender was featured in an interpreter portrait during four consecutive days and presented multi-faceted programs to the audience. Highly acclaimed by the Frankfurt press were the highlights of her performance of the complete Paganini Caprices and the debut concert of her newly founded Petrarca Quartet.
In 2008, Tanja Becker-Bender can be heard with the Vienna Chamber Orchestra at Konzerthaus Vienna, with the Bach Orchestra of the Gewandhaus Leipzig at Tonhalle Düsseldorf and with the Zurich Chamber Orchestra at Liederhalle Stuttgart as well as in concerts with the Wuppertal Symphonic Orchestra and the North Nederlands Orchestra Groningen. Hightlights in chamber music will be a concert with Bernd Glemser, Daniel Müller-Schott and Dimitri Ashkenazy in Maulbronn Monastery e.g. and a recital in Laeisz Hall Hamburg with pianist Oliver Kern, with whom she also will perform the whole cycle of violin sonatas by Beethoven.
From fall semester 2006/2007 on, Tanja Becker-Bender has been appointed one of the youngest professors ever in Germany, at the University of Music Saarland in Saarbrücken, following Maxim Vengerov in that position. After receiving invitations from both the University of Music and Performing Arts in Vienna and the University of Music and Theater in Hamburg to become professor at these institutions from autumn 2009 on, she has taken on the position of professor at the University of Music and Theater in Hamburg in October 2009.
For complete and updated CV please click here »

Tanja Becker-Bender performing the Beethoven Violin Concerto with the Tokyo Philharmonic Orchestra conducted by Ryusuke Numajiri (Bunkamura Orchard Hall Tokyo)
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